Max Colson: Tales

Photojournalism MA student at the LCC

Posts Tagged ‘aesthetic

Landmarks on look and feel

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Here are some examples of the kind of work that I’ve been looking at recently as part of the research into my project. I think the work of Roman Sakovic and Tamas Dezso are worth putting together as they depict landscape in similar ways. There is a sense of detachment both in the pulled back position of the camera, the rigidly formal approach, and the use of desaturation that isolates the subjects from us. We look, clinically. The two are withdrawn surveys of landscape, its character, and its development; as beautiful as they are cold and alien.

Whilst Roman Sakovic’s work is as strong as Dezso’s, I find the variety of subject in the latter more compelling and I feel that my inquiry should not only be restricted to landscape but could also include interiors and portraits. There are telling details in everything but they just need to be united within a particular look and feel, as Deszo has so evocatively demonstrated.

Images from Tamas Dezso’s Here, Anywhere

Images from Roman Sakovich’s Transformation

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Messing around with perspective: historical and otherwise.

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Firstly my congratulations to Irina Werning for winning Burn’s emerging photographer award 2011. She is so cool. Here are some of her wonderful photographs from her series Back to the Future:

20_lali-web irina werning

LALI IN 1978 & 2010, Buenos Aires [photograph by Irina Werning]

MARITA & COTY IN 1977 & 2010, Bueno irina werning

MARITA & COTY IN 1977 & 2010, Bueno [photograph by Irina Werning]

IAN IN 1984 & 2010 Irina Werning

IAN IN 1984 & 2010, London [photograph by Irina Werning]

PANCHO IN 1983 & 2010 Irina Werning

PANCHO IN 1983 & 2010, Buenos Aires [photograph by Irina Werning]

She is obviously very wicked.

There is another talented artist who also produces work which playfully deals with how the photograph can be used to visualise a sense of ‘history-ness’ and create nostalgia. His name is Michael Paul Smith*. Michael Paul Smith is a model maker whose mind is full of mid-20th century Americana. Using his considerable model making skills he has been creating small scale sets of an imaginary American town called Elgin Park that he cannot get out of his mind (it is reportedly located somewhere near Pittsburgh where he was born). After making the sets he then sources locations in the real-world which provide the background to photograph them against. These late naughties photographs of the 1960s look bloody REAL. Here are some examples of his work. Fantastic stuff:

MIchael Paul Smith - Elgin Park

 My Childhood Home [photograph by Michael Paul Smith]

Newspaper photo - Corliss Dink's '37 Studebaker - Michael Paul Smith

Newspaper photo: Corliss Dink’s ’37 Studebaker [photograph by Michael Paul Smith]

Edge of Town - Michael Paul Smith

 Edge of Town [photograph by Michael Paul Smith]

Michael Paul Smith

Michael Paul Smith with one of his sets and a background behind him

The NY Times wrote an article about him and there’s a paragraph that I think summarises the attempt of his work very nicely:

Driving Mr. Smith’s creation of Elgin Park were his memories of Sewickley, Pa., a real steel-mill town a few miles north of Pittsburgh. He spent his first 17 years there, and it still holds his heart. “Elgin Park is not an exact re-creation of Sewickley,” he explained, “but it does capture the mood of my memories.”

*My very talented illustrator friend Phoebe Dickerson told me about Michael Paul Smith. If you want some visual inspiration check out her very cool, and very funny, Tumblr blog.