Max Colson: Tales

Photojournalism MA student at the LCC

Posts Tagged ‘focus

Landmarks on look and feel

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Here are some examples of the kind of work that I’ve been looking at recently as part of the research into my project. I think the work of Roman Sakovic and Tamas Dezso are worth putting together as they depict landscape in similar ways. There is a sense of detachment both in the pulled back position of the camera, the rigidly formal approach, and the use of desaturation that isolates the subjects from us. We look, clinically. The two are withdrawn surveys of landscape, its character, and its development; as beautiful as they are cold and alien.

Whilst Roman Sakovic’s work is as strong as Dezso’s, I find the variety of subject in the latter more compelling and I feel that my inquiry should not only be restricted to landscape but could also include interiors and portraits. There are telling details in everything but they just need to be united within a particular look and feel, as Deszo has so evocatively demonstrated.

Images from Tamas Dezso’s Here, Anywhere

Images from Roman Sakovich’s Transformation

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Focusing

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max colson photography documentary backyard messy

Well it’s been a while.

I’ve been doing a lot of questioning of myself as of late. Being on an MA is pretty useful for that of course, but also the prospect of it ending and me then going out into the wide world has also prodded me into thinking what kind of photography do I want to be doing to help me onwards in my career. The possibilities are pretty wide. I need to narrow things down and focus.

Historically for me photography has always been a way of engaging with the moment. I’ve always tended to shoot first and to think second. My first ever project on cage-fighters and boxers didn’t have much planning or conceptualisation, it was born from raw curiosity and energy. Nothing was intellectualised. It was created from instincts, reflexes, and a lot of lucky moments. It was good training for a wide eyed enthusiast in love with Magnum era black and white reportage. However whilst it was successful, particularly as a homage to a genre, it is not the only way that I want to shoot.

Napoleon Dynamite was the first piece of work I handed in on my MA and had ambitions to be more conceptual than it was, yet it didn’t have enough of a visual idea to hold it together as a full photo essay. There were some nice images in there which were successful in their portrayal of the theatricality of the re-enactors history making, but there weren’t enough. And there weren’t enough because I hadn’t focused on that as the point of the essay. I was trying to shoot that as well as everything else. I needed more of a vision.

The re-think project that I just handed in marked a step in a new direction for me. Rather than focusing on a specific community / hobby / overly theatrical event it was born out of a process of walking. I walked through rural areas in England (Epping Forest and I walked a lot through Claverham near Bristol). I was interested in the goings on in these areas as well as their usefulness as places in which man and nature live side by side. Eventually I produced a dummy for a photobook out of this work. It marked a new step in my progress mainly because of the process in which it was made, as well as the fact that I shot most of it on medium format film. Where it needed more work was on the clarity of the idea and the relationship between that and the final images (that old problem again). There are some good frames in there but overall I think it needs streamlining. In my next project the research process will be more thought thorough and structured, and will need to start from a strong idea that I can explore and develop through photographing in the real world. I’ll also need to stick with to death this time. Oh focus, focus, focus!

max colson documentary photography swans