Posts Tagged ‘english’
David Hockney & ‘higgledy piggledy’ viewing
As I got a couple of books of David Hockney’s work for Christmas I’ve had the chance to dig his work even more than usual. In particular I’ve very much enjoyed reading through the conversations in the newly released book A Bigger Message: his thoughts on photography have been a good companion on my (nebulous, goddamn never ending) trip to working out what it is that I want to do and achieve with the camera. I’ve also found it really refreshing to read someone who’s less concerned with discussing photography as an obstacle to objective seeing and is instead more interested in the tenuous relationship that it has with the fragmented, higgledy piggledy way in which we actually comprehend what’s in front of us with our eyes:
“A photograph sees [The Grand Canyon] all at once, in one click of the lens from a single point of view, but we don’t. And it’s the fact that it takes us time to see it that makes the space.” p.143
“We think the photograph is the ultimate reality, but it isn’t because the camera sees geometrically. We don’t. We see partly geometrically but also psychologically. If I glance at the picture…on the wall over there , the moment I do it becomes larger than the door. So measuring the world in a geometrical way is not that true.” p.53
It’s hard not to be influenced with his work after seeing it. This is a photo collage of my girlfriend’s room that I made a few days ago for her birthday card. Click on the image for a bigger version of the design. It’s nice to play!
Written by Max Colson
January 9, 2012 at 2:16 pm
Posted in Uncategorized
Tagged with a bigger message, art, artist, blog, book, british art, california, collage, comprehension, conversations with david hockney, david hockney, discussion, documentary, drawing, england, english, experiment, experiments, hockney, max colson, pearblossim hwy, perception, photo collage, photography, play, playing, thames and hudson, ways of seeing
The Battle of Waterloo, its re-enactment, and some images of it
As mentioned in my previous post I went to a re-enactment of the Battle of Waterloo on the weekend. Here are some of the other images. Rather bizarrely (and annoyingly) the aesthetic and the idea that I had for some of the project run closely parallel to the work of another photographer who has only just been unearthed to me. Not ideal at all. I need to go back to the drawing board and re-arrange my thoughts perhaps…
(yep I realise that there is some dust on my sensor too – haven’t had a chance to cleanse the images yet!)
Written by Max Colson
June 21, 2011 at 9:59 pm
Posted in Uncategorized
Tagged with 1815, battle of waterloo, cavalry charge, documentary photography, duke of wellington, embedded, english, historical re-enactment, history, images, journalism, max colson, musket, napoleon, Photojournalism, placenoit, re enactment, re-creation, re-telling, red coat, reportage, story-telling, victory, war, warfare, waterloo
Simon Norfolk at the Tate Modern (a Tate video)
with 6 comments
Bullet-scarred outdoor cinema at the Palace of Culture in the Karte Char district of Kabul, 2002, Simon Norfolk
“I’m trying to photograph my disappointment. When I came [to Afghanistan] in 2001 I was angry with what the Americans had done, I thought it was a mistake…Ten sorry miserable years have gone by, half a trillion dollars have been spent on this country and it looks worse than it was…It’s a disappointment of ten years of warfare. Tens of thousands of Afghans murdered. Lots of Americans and Europeans killed as well. Billions wasted and nothing achieved: nothing, nothing, nothing achieved…” – Simon Norfolk
If you’re reading this in the UK you may have seen that the Guardian did a big feature on Simon Norfolk’s new Afghanistan photographs and their relation to John Burke’s Afghanistan photography in the Weekend magazine a couple of weeks ago. Personally I think Simon Norfolk is easily one of the most important photographers around right now (and if you don’t agree with that then you must agree regarding photojournalism at least).
Here is a 17 minute video produced by the Tate in advance of his exhibition of new work at the Tate Modern which is entitled, Burke + Norfolk: Photographs From The War In Afghanistan. Working on the understanding that Afghanistan has been the location of an imperalist intrusion for many decades Norfolk has produced a collection of photographs which link the current war with those from its past and asks the powerful question (amongst others): What has changed?
Narrated by the artist himself this video explains the work, puts the current Afghanistan war in the context of the country’s war torn history, and likens the “billion pictures per hour” photojournalism that is pouring out of the country right now to a “sewer pipe with a crack in the side of it”. He also comments that “beauty is a useful tool.” He then says lots more.
This is rational, conscious, and incisively critical photography of the highest order. Really, really worth watching.
Written by Max Colson
May 6, 2011 at 1:09 pm
Posted in Uncategorized
Tagged with afghanistan, america, british, capitalism, chronotopia, critique, english, exhibit, exhibition, history, imperalism, invasion, john burke, miliary, occupation, osama bin laden, Photojournalism, political commentary, reportage, simon norfolk, soldiers, tate, tate modern, timeline, UK, usa, video, war, war photography